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Theresa Meyers Reveals
the Truth About Getting Noticed |
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Mastering the Media:
Publicity
Stage 2: Getting Noticed
by Theresa Meyers |
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There are several ways to initiate contact with the media. Most of the
time phone calls will suffice, however, if you intend to cover several
cities (for something like a booksigning tour) you may want to use
what's known in the PR profession as a pitch letter. If you've ever
written a query letter you have a good start on your skills to build a
pitch letter. Very few people understand that the pitch letter is even
more important than a press release when it comes to author PR.
Pitch Letter
Very similar in purpose to a query, the pitch letter is meant
to gain a media person's attention and make them ask for more. Most PR
people learn how to craft a pitch letter from trail and error (and
advice when they can find it.)
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Format
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Single
page
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Limit
prose to 3 or 4 paragraphs - keep them clean, concise, direct
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One inch
margins
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Print on
letterhead or nice stationary
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Call
ahead of time and get the correct spelling of the person's name
and his or her title.
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If you
don't know if it's a Mr. or Ms. ASK!
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If you
don't know who you are looking for ASK! It is perfectly
acceptable to say "Could you tell me who books talent for the
Leeza show?" or "Do you know how far in advance they book a
show?" It's better to play dumb and ask than send your material
to the wrong person.
Send it alone or as a cover letter to your press packet. |
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Content
First Paragraph: Introduce yourself and the subject. This
is were you need a hook, but one that explains exactly what you
have to offer, who you are, when the event is happening and where
it will be. Second Paragraph: Explain why the producer or
editor/reporter should have you on the show or include you in the
article in their publication. For city and regional media, give
them a local angle as I mentioned earlier. It can give a local
example of a national trend, be related to the community or
showcase you as a local person. For national television, radio or
print media, again, tie yourself to a national trend or incident
as I mentioned in the first section on Getting Your Message.
Third Paragraph: Explains your qualifications, experience and
background and how you can be reached.
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Even with a pitch letter you will have to use the phone to initiate
follow-up contact with the media. When you make your follow-up calls,
there are some techniques which will make your alter-ego sound like a
PR pro:
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When you talk on the phone, SMILE. You can hear a smile! Standing up
also changes your demeanor on the phone.
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Immediately state your name.
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Always check to see if you are calling at a good time. Some media
are on deadline and will not be receptive no matter how perfect your
material is for them. If they say no, ask them when would be better
to call them back, then do it.
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Get to the point by telling the producer or editor who, what, when
and where.
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Be enthusiastic, energetic, chatty, up-beat and personable. Talk
passionately and freely, but keep it brief. Be sincere.
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If you've got their attention with your hook , but haven't locked in
an interview, tell them a story related to your hook. Ask them about
the weather and compare it to where you live. If they seem
interested, but not hooked, offer a no-strings-attached interview
for five minutes.
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Remember that no doesn't mean no. It may really mean not right now,
or it isn't right for my section or show. Be persistent without
becoming obnoxious. Don't give up until they say DON'T CALL ME. And
even then don't take it personally.
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Perhaps the biggest mistake professional PR people and authors alike
make is not following up. It is critical that you follow up with
every piece you mail out, otherwise you're wasting your money and
the journalist's time and desk space.
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If you get voice mail make sure you have a script written. Give your
name. You then have 20-30 seconds to pitch yourself and tell them
why their talk show or magazine needs you and what you can offer.
Tell them what you've already sent and then restate your phone
number.
Here's an example of how to cram it all in:
Hi Michael. This is Theresa Meyers and I'm calling to discuss an
interview exclusive for the Leeza Show. Do you know one of the biggest
problem Americans have in their relationships is confusing sex with
romance? Author Amy Gerret, can shed some light on why society is
failing to keep relationships meaningful. She'll be in Los Angeles on
August 25th on a book tour. Would you like to have her give your
viewers her top ten ways to get romance back in a relationship? I sent
you her latest book, In The Storm, and a packet of materials last
week. You can reach me weekdays from 9-5pm pacific time. My name again
is Theresa Meyers and my number is 602-843-9594.
Along with these there are some definite don'ts.
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Don't pretend to be familiar with the producer.
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Don't call multiple producers at the show.
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Don't ever lie.
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Don't attempt to keep the producer on the phone longer than three
minutes unless they are actively asking you questions.
Copyright © 1999, Theresa Meyers.
All rights reserved.
You may reprint this chapter in whole or in part
provided credit is given to the author.
Stage 1
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Stage 3
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Stage 4
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